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Pierre Renoir
French Impressionist Painter, 1841-1919 Pierre-Auguste Renoir (February 25, 1841?CDecember 3, 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau". Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings. His initial paintings show the influence of the colorism of Eugene Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Edouard Manet, and his early work resembles theirs in his use of black as a color. As well, Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th century master François Boucher. A fine example of Renoir's early work, and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work, the figure carefully observed, solidly modeled, and superimposed upon a contrived landscape. If the work is still a 'student' piece, already Renoir's heightened personal response to female sensuality is present. The model was Lise Tr??hot, then the artist's mistress and inspiration for a number of paintings. In the late 1860s, through the practice of painting light and water en plein air (in the open air), he and his friend Claude Monet discovered that the color of shadows is not brown or black, but the reflected color of the objects surrounding them. Several pairs of paintings exist in which Renoir and Monet, working side-by-side, depicted the same scenes (La Grenouill??re, 1869). One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Le Bal au Moulin de la Galette). The painting depicts an open-air scene, crowded with people, at a popular dance garden on the Butte Montmartre, close to where he lived. On the Terrace, oil on canvas, 1881, Art Institute of ChicagoThe works of his early maturity were typically Impressionist snapshots of real life, full of sparkling colour and light. By the mid 1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women, such as The Bathers, which was created during 1884-87. It was a trip to Italy in 1881, when he saw works by Raphael and other Renaissance masters, that convinced him that he was on the wrong path, and for the next several years he painted in a more severe style, in an attempt to return to classicism. This is sometimes called his "Ingres period", as he concentrated on his drawing and emphasized the outlines of figures. After 1890, however, he changed direction again, returning to the use of thinly brushed color which dissolved outlines as in his earlier work. From this period onward he concentrated especially on monumental nudes and domestic scenes, fine examples of which are Girls at the Piano, 1892, and Grandes Baigneuses, 1918-19. The latter painting is the most typical and successful of Renoir's late, abundantly fleshed nudes. A prolific artist, he made several thousand paintings. The warm sensuality of Renoir's style made his paintings some of the most well-known and frequently-reproduced works in the history of art..

 

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Pierre Renoir Back View of a Bather oil painting

Painting ID::  28830

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Pierre Renoir
Back View of a Bather
1893 Oil on canvas 40 x 32 cm Paris Private collection (mk64)
   
   
     

 

 

Pierre Renoir Dancing Girl with Tambourine oil painting

Painting ID::  28832

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Pierre Renoir
Dancing Girl with Tambourine
1909 Oil on canvas 155 x 64.8 cm London The National Gallery (mk64)
   
   
     

 

 

Pierre Renoir Blonde Bather oil painting

Painting ID::  28836

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Pierre Renoir
Blonde Bather
1881 Oil on canvas 82 x 66 cm Williamstown Massachusetts Sterling and Francine Clark Art Institute (mk64)
   
   
     

 

 

Pierre Renoir Box at the Theatre oil painting

Painting ID::  28837

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Pierre Renoir
Box at the Theatre
c 1873 Oil on cavnas 27 x 22 cm Paris Durand-Ruel Collection (mk64)
   
   
     

 

 

Pierre Renoir Madame Henriette Henriot oil painting

Painting ID::  28838

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Pierre Renoir
Madame Henriette Henriot
c 1876 Oil on canvas 65.9 x 49.8 cm Washington D C National Gallery of Art gift of Adele R Levy Fund Inc (mk64)
   
   
     

 

 

Pierre Renoir Nymph by a Stream oil painting

Painting ID::  30069

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Pierre Renoir
Nymph by a Stream
mk64 Oil on canvas 66.7x122.9cm London,National Gallery
   
   
     

 

 

Pierre Renoir Odalisque or Woman of Algiers oil painting

Painting ID::  30070

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Pierre Renoir
Odalisque or Woman of Algiers
mk67 1870 Oil on canvas 69.2x122.6cm Washington,D.C.National Gallery of Art.
   
   
     

 

 

Pierre Renoir Algerian Woman oil painting

Painting ID::  30071

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Pierre Renoir
Algerian Woman
mk64 1869-1870 Oil on canvas 66.7x122.9cm London,National Gallery
   
   
     

 

 

Pierre Renoir Rapha Maitre oil painting

Painting ID::  30073

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Pierre Renoir
Rapha Maitre
mk64 1871 Oil on canvas 37x32cm Northampton,Massachusetts,
   
   
     

 

 

Pierre Renoir Rapha Maitre oil painting

Painting ID::  30074

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Pierre Renoir
Rapha Maitre
mk64 Oil on canvas 130x83cm
   
   
     

 

 

Pierre Renoir Reclining Semi-nude oil painting

Painting ID::  30075

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Pierre Renoir
Reclining Semi-nude
mk64 c.1872 Oil on canvas 28x25cm Paris,Musee d'Orsay
   
   
     

 

 

Pierre Renoir The Duck Pond oil painting

Painting ID::  30077

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Pierre Renoir
The Duck Pond
mk64 1873 Oil on canvas 50.8x62.2cm USA.
   
   
     

 

 

Pierre Renoir The Harvesters oil painting

Painting ID::  30078

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Pierre Renoir
The Harvesters
mk64 1873 Oil on canvas 60x74cm
   
   
     

 

 

Pierre Renoir The Parisian Woman oil painting

Painting ID::  30079

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Pierre Renoir
The Parisian Woman
mk64 1874 Oil on canvas 160x106cm
   
   
     

 

 

Pierre Renoir Woman Reading oil painting

Painting ID::  30080

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Pierre Renoir
Woman Reading
mk64 c.1874 Oil on canvas 45x37cm Paris,Muse d'Orsay
   
   
     

 

 

Pierre Renoir Reading the Part oil painting

Painting ID::  30081

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Pierre Renoir
Reading the Part
mk64 1874-1876 Oil on wood 9x7cm Rheims,Musee des Beaux-Arts
   
   
     

 

 

Pierre Renoir By the Fireside oil painting

Painting ID::  30082

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Pierre Renoir
By the Fireside
mk64 1875 Oil on canvas 61.5x50.6cm Stuttgart,Staatsgalerie Stuttgart
   
   
     

 

 

Pierre Renoir Jeanne Samary oil painting

Painting ID::  30083

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Pierre Renoir
Jeanne Samary
mk64 1877 Oil on canvas 46x44cm Paris,Musee de la Comedie-Francaise
   
   
     

 

 

Pierre Renoir Confidences oil painting

Painting ID::  30085

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Pierre Renoir
Confidences
mk64 1878 Oil on canvas 61.5x50.5cm Winterthur,Switzerland,
   
   
     

 

 

Pierre Renoir Woman Lifting her Skirt oil painting

Painting ID::  30086

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Pierre Renoir
Woman Lifting her Skirt
mk64 1877 Oil on canvas 69x23cm
   
   
     

 

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Pierre Renoir
French Impressionist Painter, 1841-1919 Pierre-Auguste Renoir (February 25, 1841?CDecember 3, 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau". Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings. His initial paintings show the influence of the colorism of Eugene Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Edouard Manet, and his early work resembles theirs in his use of black as a color. As well, Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th century master François Boucher. A fine example of Renoir's early work, and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work, the figure carefully observed, solidly modeled, and superimposed upon a contrived landscape. If the work is still a 'student' piece, already Renoir's heightened personal response to female sensuality is present. The model was Lise Tr??hot, then the artist's mistress and inspiration for a number of paintings. In the late 1860s, through the practice of painting light and water en plein air (in the open air), he and his friend Claude Monet discovered that the color of shadows is not brown or black, but the reflected color of the objects surrounding them. Several pairs of paintings exist in which Renoir and Monet, working side-by-side, depicted the same scenes (La Grenouill??re, 1869). One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Le Bal au Moulin de la Galette). The painting depicts an open-air scene, crowded with people, at a popular dance garden on the Butte Montmartre, close to where he lived. On the Terrace, oil on canvas, 1881, Art Institute of ChicagoThe works of his early maturity were typically Impressionist snapshots of real life, full of sparkling colour and light. By the mid 1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women, such as The Bathers, which was created during 1884-87. It was a trip to Italy in 1881, when he saw works by Raphael and other Renaissance masters, that convinced him that he was on the wrong path, and for the next several years he painted in a more severe style, in an attempt to return to classicism. This is sometimes called his "Ingres period", as he concentrated on his drawing and emphasized the outlines of figures. After 1890, however, he changed direction again, returning to the use of thinly brushed color which dissolved outlines as in his earlier work. From this period onward he concentrated especially on monumental nudes and domestic scenes, fine examples of which are Girls at the Piano, 1892, and Grandes Baigneuses, 1918-19. The latter painting is the most typical and successful of Renoir's late, abundantly fleshed nudes. A prolific artist, he made several thousand paintings. The warm sensuality of Renoir's style made his paintings some of the most well-known and frequently-reproduced works in the history of art..